SUPER  LIBRUM  CANTARE

The practice of Renaissance improvisation

4 VOICES, WITH A 3/5 BASSUS

Back to the techniques

Back to the techniques

Back to the techniques

Back to the techniques

Back to the techniques

Back to the techniques

Back to the techniques

Back to the techniques

Back to the techniques

Back to the techniques

Back to the techniques

Back to the techniques

Back to the techniques

Back to the techniques

Back to the techniques

Back to the models

 WITH A CF IN THE TENOR

Treatises

Extract

Sources

Transcr.

FR

ca. 1480

GUILIELMUS, Monacus

De preceptis artis musice

[4 voices]

I-Vmn

TML

BJ

Repertoire

Title

1505-20

ENCINA, Juan del

Cancionero de Palacio

Muchos van de amor herido

E-Mp

AS

1531

SERMISY, Claudin de

Trente et troys chansons nouvelles

Dessoubz le marbre

D-Mbs

AS

1538

SERMISY, Claudin de

Second livre contenant xxxi chansons 

Celle qui m’a tant pourmené

IMSLP

AS

1548

SANDRIN, Pierre

P. Attaignant, Vingtsixiesme livre

Puisque vivre en servitude

D-Mbs

AS

1582

ANONYMOUS

Piæ cantiones

Gaudete

FIN-Hy

AS

 WITH A CF IN THE SOPRANO

Repertoire

Title

Sources

Transcr.

1505-20

ENCINA, Juan del

Cancionero de Palacio

Señora de hermosura

E-Mp

AS

1505-20

ENCINA, Juan del

Cancionero de Palacio

Si abra en este baldes

E-Mp

AS

1580

DE LA GROTTE, Nicolas

Chansons de P. de Ronsard et autres

Demandes-tu douce ennemie

F-Pn

AS

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